The complete system without marketing fog: what we own, how it is configured and what we can actually deploy on site.
Two stacks of Resolution 4E on F218: the full rig.
2×
Main mid-high of the full rig: one on each F218, turned with the 12" section on top.
2×
Bass of the full rig, under the Res 4E. In the medium rig one F218 lies on its side under the MB112A.
F55 tops and an MB112A bass. On their own they are the small rig, with an F218 the medium rig, next to the full rig the DJ monitors or a second zone.
4×
Tops of the small and medium rigs, DJ monitors in the full rig +. Used horizontally, two per stand.
1×
Bass under the F55: alone in the small rig, on top of an F218 in the medium rig.
Every rig travels with its own amplifiers and processor, set up and run by our technician.
1×
Full rig amplifier rack.
1×
Full rig rack; drives the F218 in the medium rig.
1×
Full rig amplifier rack.
1×
Crossover, EQ, delay and limiting for the medium and full rigs.
1×
Drives the four F55 in the small and medium rigs and on the monitors.
1×
Crossover, EQ, delay and limiting for the small rig and for the DJ monitors / second zone of the full rig +.
Two complete setups. Add one or both to any rig, or book them without sound.
2×
Pair for the XDJ + Xone setup.
1×
Mixer of the XDJ + Xone setup.
2×
Pair for the CDJ + DJM setup.
1×
Mixer of the CDJ + DJM setup.
Three cameras and a recorder that takes the mix straight from the desk.
1×
Front camera on a tripod, facing the DJ.
1×
On a tripod behind the DJ: over the shoulder, towards the decks and the room.
1×
On a table tripod at the booth: the whole booth and the room in one wide shot.
1×
Takes the stereo record out of the mixer: the whole set as a clean audio file.
Send the date, the room and roughly how many people. We will suggest the smallest rig that does the job and confirm the price before anything is booked.